Sunday, May 18, 2014

Moshtadon

Last night I went to see Mastodon in Philadelphia. I could pontificate on how awesome it was and argue that the precision, aptitude and all around bad- assery of this Atlanta foursome has neither faded nor morphed into anything new(as critics and long time fans have alluded to from 2009's Crack the Skye album on...) rather the band has expanded upon what it has always been...a one of a kind metal experience that pretty much puts on a clinic for any modern metal outfit in their periphery or wake. But I wanna talk about the mosh pit.

Bill, Troy, Brann and Brent barely broke a sweat while their stiff metal fingers blurred skins and dulled frets. Yet this mastery, these songs and a bunch of burly buffoons were the fine ingredients sprinkled on a whirling human cauldron of sweat, stench, piss and vinegar just feet from the edge of their stage..known as the obligatory Mosh Pit.

From the Urban Dictionary: Possible origin of the word "mosh" - the word originated in New York in the early 80s. The previous word for the dance was "slam". The origin is probably Yiddish, as is "mish-mosh" - something all mixed up. It was a specific New York Hardcore variation on slamming which went in a circle (usually counter-clockwise with the stage as 12:00). There was a variation to slower, chuggy music called the creepy-crawly. It may have been Jimmy Gestapo (Murphy's Law) himself who coined the word.

Crucial Mosh, New York style! 
Ok, whatever. By design last night, I decided to venture into the mosh pit. My friend wanted to let off steam after a tough week of intense study and I wanted to get a closer look at the band. It has been awhile since I'd seen them live as I was strapped to a breathe machine in a hospital post asthma attack on the night of their last visit to Philly in 2012. I still have the untouched ticket. I seem to be more vertically challenged at general admission shows these days, especially metal shows. There is always an abundance of lanky leathered- up Lurches at metal shows, who tend to hold their ground unimpressed and arms crossed in the middle of the fucking floor, like a loch ness neck telescoping above a sea of black T-shirts with cryptic fonts. And they follow me, like hovering black clouds putting up a denim wall in front of me, needy, leaning in,marlboro light smellin' girlfriends in tow. 
 I haven't reviewed a show professionally in a while either (long story, but hit me up if you need someone who has experience) and didn't have the sweet combo of a press/photo pass and a plus one, either. So it was gonna have to be an old school excursion being whipped through the pit and  coughed up at the front to get the visual results we wanted. If you brave the pit, you can do a mosh charade in motion through the hellish hurricane as a short cut to the front. I thought I was prepared, as a veteran of 6-700 shows, packing on a post- 40 fifteen as added heft to strengthen my stance in this treacherous dance.
 But there are no real rules in a mosh pit. Security tightens up with a don't ask don't see don't tell mentality. Which makes it real loose. These paid cretins are not storm chasers, they want no part of the tornado in front of them, and are ensconced safely beyond the barrier..catching dehydrated or blotto-ed crowd surfers like foul balls in their triage bunker..and sending them on their way via escort or ambulance. Even a community help-your bro-up-when-he-falls is mostly all for naught when you add darkness and a blanket of black tees to the deafening roar of a wall of Orange amps in sync with the strobes. There were bodies on the floor, boots in faces, errant air jabs( a la old school punk rock) in the dark that landed on ruddy cheeks in bass drum- like thuds. There were helicopters of hair whirring into view and obstructing the path to that sweet spot we coveted..the other side of the pit..center stage and a mere plectrum toss from the Masto -monitors. 

My friend made it, being younger, smaller and faster and armed with a plethora of yoga positions in which to weave in and out of the fleshy shrapnel unscathed like fucking Neo from the Matrix.  Me?  The last time I was in a mosh pit proper was at a small Rollins Band in Buffalo, prob 1991, which coincides with the last time I ever spit out bits of tooth. Errant elbows are like medieval maces to a young jawline. That shit scared me then, and it scars me now.But there I was and there was no turning back. I hopped in past the obligatory "arc of bros". This is an(offensive) line of miscreant-ic mortals dressed in camo cargos and their favorite backwards cap at every hard rock/punk/metal show. They pepper the edge of the pit with their muscle for the main purpose of shoving any shaggy nerd into the maelstrom with roid effected snickers and high fives all around. When one member of the arc of bros does enter the actual eye of the human hurricane, it becomes ANYTHING but calm. Most of these cavemen lower their shoulders like strong safeties into unsuspecting pee wees and lift them like a bloodshot bull does to a skinny matador. And thats exactly what happened to me. I was airborne for two seconds( WHAT A VIEW!) and came down just in time to move out of the way of some serious meth-ed out sweat monster conjuring up something with an arsenal of growls and wind-up arms. I got bumped around like the meaty pinball that I am and thrown into it a few more times before joining my friend on the other side. We spent the entirety of Mastodon's set being crushed by the rippling, swaying tsunami of zombies behind us and I had to compete with a rotund metal lady's hamhock of an arm bitch slapping me in my face while she screamed "BILL, YOU FUCKING ROCK !"and making the "heart" symbol with her fingers .

I feel like the Seven Dwarves were all coked up and break dancing on my back and neck. I feel like kneaded dough today...and I'm slow to rise. But that was some show. It was like a spin class with a better soundtrack, bruises and no bikes. Stupid similes aside, I'm a happy man today....25 years between mosh pits is too long. I made it through. Now give me a fucking cookie and turn the music up.

Thank you Mastodon. I look forward to your new album Once More Around the Sun, coming at us in June.

Friday, May 16, 2014

Random Rock Thoughts

I think the new Zeppelin Re-Re-Re-Releases are a money grab. I love me some Zep, but in the olden days of my fandom, I read many a quote from Jimmy Page(from as long as a decade or two ago) explaining that there wasn't much left in the vaults and they had used everything. Therefore, with the upcoming rollout of the expanded catalog(again), I'm expecting some sloppy jams disguised as "lost or unreleased" gems and a shitload of live bootlegs that he went and souped up. Most unreleased stuff is unreleased for a reason. I'll hold out hope for anything in a demo version as it's always interesting to peruse the early architecture of those FM staples. Acoustic demo version of  Gallow's Pole? 1st take of In the Light? John Paul Jones solo-ing on anything?  Boner rising. Super Zep fans will covet anything, but Jesus the catalog has been remastered three times already. I'm good thanks. As long as Ive been able to hear the squeaky bass drum pedal on "Since Ive Been Loving You" from Led Zeppelin III, I'm set. My boner is still going strong, That little sonic ditty has been around for 15 years now. However, if by some miracle I can hear the ice clinking from Bonzo's 12th glass of vodka and orange captured accidentally from the snare mic during tour rehearsals in Sept. 1980, I'm in. If not, I'll pass. As for the live stuff, I've heard the "Listen to This, Eddie" bootleg and that's all I need.

Neil Young is an extremely passionate man, and his soapbox for dissing the sound quality of everything released since 1989 is worn out and rickety as fuck by now. but he keeps standing on it, so A+ for effort, Neil. I have everything Neil Young has ever released, and none of it is on vinyl. I wonder if he still likes me? It's about the love, Neil. Love conquers all, and love does a higher bit rate not make.The Pono music player device thingamabob that he is proposing/kickstarting is a niche item for snooty audiophiles who wanna walk around with a Yello Toblerone-ish item tucked in their khakis, because they can't fit a turntable in a pocket. have you seen this thing? I'm hoping(but not really) that it's a prototype because this thing looks like a bright banana with angles for your back pocket. Should look real awesome in your morning coffee line...gonna fall right outta your yoga pants..Reminder...If your audio file quality don't match your headphone quality, all is lost my friends. all of this fussing over sound quality is moot. So Pono away. The kids won't buy it. The kids don't matter and the kids don't care..I'll be too busy letting my emotions do the listening and stocking up on a variety of bit rates from 8 track to a digital FLAC chip inserted under the skin behind my ear to care.

The envelope filter (guitar effect for anyone who cares to look up) is my latest favorite guitar effect. Nobody does it better than Jerry Garcia. See..hear Dicks Picks any of them ('77-80) where Jerry hadn't yet found a dragon to chase regularly. Oh well, if I had my druthers in 1978, and I was a hairy pitted barefoot female and older than 10.. He'd be my Khaleesi. In the headphones, an envelope filter mimics a cacophony of notes being squeezed gently in tourniquet fashion, and  farted out through a muted trumpet made of old tie dyed t-shirts.The joyous sound makes me wanna bathe in granola salts and red grenadine and teach a hungry bear to stop worrying about global warming and just dance.

The Apple-Beats merger is stinking up my joint. Headphones for fashion weenies who value bass more than clarity meets a company who made everybody listen to music on their fucking phones. So what if it's all about streaming..which is what these shut in audio pundits seem to think is the future of music. I can't wait for the future of music...faster..pulled from the cloud..instantaneous..wait, what?..Net neutrality only lets the beautiful people with the most duckets..get the streamo maximus fastissimus quickery?...the rest of those who care about invisible shit that you can't hold and can't see get ...overdriven compressed to the hilt-disposable streams... through bass heavy 200 dollar fucking headphones. Yeah, baby, the future is so bright(but treble free). We will soon be fashioned to forget...purchase tracks blindly with a button behind glass and wait for them to stream...enjoy a three to five minute song for the short ride...run the light to the next one. Repeat. shit out. Bury. repeat.

Pizza is here. I'm out of thoughts.

Tuesday, May 06, 2014

Bullet points

"Woe is you" a friend said to me yesterday. Fuck her, but she's right. She's usually always right.

A lot of good all of that trippy, dancy Grateful Dead nostalgia did me. I'm no dead head. The only nostalgia I'm good at is the constant post mortem rewind I partake in to re align my bullet points of anger and loss. I'm a rotten son of a bitch to the core and by rotten I mean dry rot. The kind of rot that festers on the inside, corroding upon itself while all outward appearance and structural soundness appear normal, high functioning and strong. My brain is a moldy cross beam that holds my head together, dry as tinder, flammable as ransom note paper. Look at me emoting. Look at me searching for reasons...errr attention, on a quest to find the root of all anger..my anger...this anger, the old friend who breaks the day at daybreak, shows you every hairline fracture in my smile, every jaded self punch, every guffaw masked as evidence of the smouldering ashpile of confidence next to my dreams and visions... while keeping it a secret from me until a day where it can unravel in an aimless reveal..a day like today.

I knew I was going to wake up more cranky than normal on this Cinco de mayo, because it's my dead sister's birthday. She would have been 43.

She's dead while millions of useless, murderous, deadbeat, abusive, empty, psycho, sycophants and sabotagers walk the earth.

I saw a guy literally walk backwards down invisible steps, wipe drool from his chin that wasn't there and freeze in place like a mime without falling today, a bleary muted out empty husk of a junkie walking my street...and my sister gets to unwillingly check out early.

I saw a ghetto mom yank her kid by one arm right off of the side walk, take the phone away from her ear where she was wasting her broken ebonic on some fool, whack him on the head with the phone and keep talkin....This bitch gets to walk the earth and Meaghan is gone.

I see the dark underbelly in lieu of the blue sky every day. And that's a problem..No its a lifestyle. A landscape. A masterpiece.  

It's her birthday..but I never liked birthdays. So I was apt to complain about it. Complaining is one of a triad of things I'm a world conquering expert on, the others being singing and painting houses. We all have to be good at something, right?

Let's celebrate being born and sticking around another year..like we're proud of it. Like it means something in this great big world full of gun loving, famine bloated, ozone depleted greed driven scenes everywhere we look or choose not to.

We should all be angry every day. We choose sitcoms, social media, a great back nine, food porn, gambling, bath salts, cross fit and cat memes to distract us.

My problem is that I don't even see the glass.

I've already walked through the burning coals and keep waiting for the next challenge.

My problem is that music and its power is temporary.

Medication and its trail of side effects are temporary.

Therapy is fleeting, expensive, and temporary.

The weeks where I have my son are temporary..distractions from the battle with letting the alien anger win, encase my body in a fiery ectoplasm whom no one wants to touch..in fear or repulsion.

I can put a playlist on, talk about my passions, dream about the things I wanna write about...still there.

Read another rock bio. Still there.

Sing another cover song. Still there.

Bitch about Kiss and suck up to the Grateful Dead. Still there.

Practice my son's vocal vibrato before his big choral concert next week. Still there.

It's never been a violent anger. More like a simmering bully that shoves me up against the teeter totter just when the sun hits my face and the synapses are in rhythm and all of my friends are in the room on the playground and we're talking about Mork and Mindy, or the X Files or the acoustic songs on Physical Graffiti....lets me know who's boss. Takes my PBJ and throws the zip loc in my face.

It comes on holidays like this one..Cinco de Deatho...Birthday Deathday. Yeah, thats where it takes my thoughts...even as I push through with a steady roll of awesome memories of a beautiful sis and all of the smiles she brought me when I needed it most....before the alien anger put up shop and stayed there.

Don't blame my mother. That's too easy.

Blame me. I can put that suit on. Been wearing it for years.

Tuesday, April 08, 2014

Goin' Down the Road Feeling...Good

I'm a Deadhead again.

It all started in Austin last month when my friend Alex dropped the needle on Anthem of the Sun. Alex is probably the last person on earth whom I'd a thunk had a grateful dead album of any kind. But there we were, jamming along to the sounds of the very first jam band.

Then my long lost friend and childhood neighbor Sean and I reconnected on FB and that got me thinking of his several cassette boxes worth of dead bootlegs he had in his messy bedroom in the 80s. It was our very own Golden Age of Unlimited Devotion, man.  He was also the first friend I knew with a tie dye (or 10) that he would actually wear to school. His tie dyes were faded and that impressed me, because I knew he wore the shit out of them. He wasn't no imitation fan, man. He was a real live deadhead, the very first of many Northeast 4th wave deadheads I would meet in the mid 80s. But Sean was the real deal. Couldn't sing a note, but his dancing and all around positive demeanor made up for it. Too bad it didn't rub off on me more often..but he was my real introduction to the Grateful Dead. He taught me about the different eras, the special combos of live songs and lingo like "Estimated/Eyes" and China Cat/Rider...man. Drumz..with a Z, not an "s" and Space. Infrared Roses was a cd of Drumz and Space mash ups before anybody knew what a mash up was.. Steal Your Face was not only a sticker..it was an album. He told me all about the dead Dead keyboardists, man. I took it all in, catalogued it and bought the t-shirts, people. I knew the difference between an east coast and west coast Dead show, I knew where the "Phil Zone" was, and I wasn't telling. This was pre-grunge OK? I wasn't beaten down, chewed up and spit out yet.I wasn't connecting musical dots with my angst yet..I wanted to be like Sean in those years '86-'90. When there was nothing left to do but smile, smile smile...

There have been other dancing bear bullet points leading to my renewed interest in Capt.Trips and co.

I spoke via FB to my friend Andrea recently. I was sharing an apt. with her in Aug. of 1995 when Jerry Died. That's kind of a weird day I've never forgotten. Jerry's death was just as hard to deal with as Kurt's or Layne's or Ronnie's. I must have played China Doll on a loop that day.

I picked up "Dark Star" recently..maybe two months ago..the roundtable format book on Jerry Garcia, but I had put it down while reading the Elliott Smith bio..and there it was on my nightstand underneath the Bukowski and the Swamp Thing graphic novel. Time to switch up the sequence of that pile. Right now I'm up to around '79 in the book. Dark days for the Dark Star.

I have a friend who just went to see the Dark Star Orchestra in LA. She told me it was a great night except for the fact that she was "too old" to handle the Drumz/Space portion. I would probably never be able to stand for that long again in my life without the best Owsley blotter money could buy. I wonder if the new jam band kids still start their own "tours" these days with the Dead or even Phish for that matter. My brother tells me it's some guy called Bassnectar. Sounds juicy.

I had a dream of the parking lot scene from one of the two Rich Stadium Dead shows(Buffalo) I attended in either '87 or '90. I still remember the guy weaving in and out of the rows of converted school buses, hibachis and hacky sack circles repeating "Trips, doses, transparencies, yin/yang" or the redheaded dreadheaded deadhead girl saying "need a miracle, actually need two." I can still smell the kind bud, and the grilled cheese entwined with the dank road funk of 10 thousand dirty Birkenstock feet and sticky pits.  You never forget your first outdoor dead show parking lot. You never forget any of them.

For some odd reason, or maybe completely obvious..Lately..my go- to songs when the weather turns bright enough to roll down a window on the winding road home from work and set free some of my own mucky funk have been Cassidy from Reckoning (1980 Radio City Music Hall Acoustic Set)...Birdsong from..anything...Eyes of the World from Wake of the Flood and Tennessee Jed from Europe '72. This natural choice catches me by surprise because for years it was metal, punk, classic rock....anything with a dial that went to 11 and disarmed my thoughts. I think Bird Song or Weather Report Suite or Looks Like Rain or Here Comes Sunshine or Box of Rain rank right up there with some of the most beautiful, inspirational music I've ever heard. And I know every word. It must mean something....but why did I put them away for so long? Could the reason be a s simple as music being cyclical? Or distinctly tied to specific events or eras or ...attics of my life? I still refuse to believe that its linked to the cliche of getting older and probably have to pinpoint it to all of these connections my brain has been making.

The Dead were always a different kind of escape for me, and besides my beloved Beatles, probably the "happiest" ( melodic,possibly lyrical) music I ever gravitated towards. It was the perfect combination of warm, squeaky Jerry guitar tone, rumbling dual drums, Bobby's commanding voice and Phil's space bass that kept me listening, singing and sometimes moving. The spectacle of watching others do that fluid- like shake your bones out dead dance was enough entertainment for me.Not to mention the characters and the stories from the songs they rode in on provided by Robert Hunter and John Perry Barlow. Those years from 89-91 were really crucial, an influential time in my development as a writer? and performer....positivity really did stick during those years before the black chasms of 93-95 and '97-'01 came along and I needed the volume turned way the fuck  up to drown out or amplify my misguided pain. There was no pain involved in my deadhead years..only pleasure.

People who read Circle of Fits would be surprised to know that I've seen the Grateful Dead live more than any other band I can remember...10 times. Not a patchouli drenched superfan by any means, but weirdly more than hugely influential bands in my canon like QOTSA(6) or Soundgarden(7)....or the Stones(5)..wow.

Thanks to Sean, Jen, Lara, Laura, Andrea and my brother Kevin for enlightening me on this journey. Now if you'll excuse me, I've got to get back to Dick's Picks Vol. 36. If you get confused, just listen to the music play ....

Please share any and all grateful dead memories with me.......Seano




Sunday, April 06, 2014

Plea to the Ether

 I would very much like to have the freedom to write completely openly and honestly. I rarely feel that I do. I'm trapped in a conundrum of fear based etiquette, banished to a realm of faux sentiment and complete absence of timely reactions, joy based sarcasm, and conversation. I cannot sustain that here without.....
Without judgement from friends, ex wives, ex band mates, hack musicians, ex anythings. I want a free wheeling place where my opinions and my openness to reciprocate the scant comments that land in this little space of mine can thrive , can grow like weeds in a sick swamp of thoughts, rather than a battle of pulling on/up roots that ends up being a constant exercise in my workout with the written word. Exhausted.

Words are my one true companion, yet they fail me more often than not because of my unwillingness to fully embrace them out of fear. Fear of the stress that comes from their backlash. Fear of the stress of my own expectations and progress as a writer The stress makes me tired. When I'm tired, I cannot write. I didn't flex that muscle enough in my youth to make it rote, make it memorable, make it easy. I cannot write when the feeling hits, as I did in my youth furiously scribbling in composition books in basement bars and backs of cars.. pre- internet, formulating the "self" that I know, love and loathe.

Like right at this second as I escaped to my room to sneak in this post in before the like- clockwork interruption of my seven year old in a never ending plea for attention...I knew it would come. There's nobody here but Dad. Nobody to distract him, to hand him off to so I can have 20 minutes to my fucking self to speedily and without proper editing....write this post....to myself. Can't write on the weeks he's with me. I'm walking tired then sleepwalking through notes that cannot connect  in an oft failed post bedtime attempt to fucking write anything of interest.

 It Is Never Going To Happen.

 Onward to non substantial Sunday sunny day fathering . The sun is out and those fucking sirens a block away and the neediness of children have derailed this train.

I'm out.